24 frets not enough for you? Complaining about not being able to hit the high notes at all? Look at the 27 frets Ibanez RG-2011SC-BK! Check out the lower horn cutaway. Although, you will need to sacrifice the neck pickup for this (Admittedly, I am one of those who can't play without a Neck pickup). Oh, did I forget to mention, it's a domestic model.
Welcome to my humble blog where I write the little things concerning Guitar, especially the Electric guitar. I am an avid Project guitar builder and enjoys DIY projects on guitars. Through this blog, I will share with my readers my experiments, findings, projects, recommendations and more. Do check back now and then while I hope you will be able to find the information provided in this blog useful.
Tuesday, 30 August 2011
27 Fret Ibanez
24 frets not enough for you? Complaining about not being able to hit the high notes at all? Look at the 27 frets Ibanez RG-2011SC-BK! Check out the lower horn cutaway. Although, you will need to sacrifice the neck pickup for this (Admittedly, I am one of those who can't play without a Neck pickup). Oh, did I forget to mention, it's a domestic model.
Ibanez Custom Jem 570 "紫心姫(Shishinhime)"
"紫心姫(Shishinhime)" started out as an Ibanez RG570SA which I've gotten for myself during my trip to Oklahoma USA. I bought this from Ebay and had it shipped over to my hostel in Oklahoma. I wanted an all original RG with super Wizard neck and Original Edge tremolo at that point of time.
I took the liberty of ordering a set of Dimarzio Evolutions while I was there, and had them fitted in once I was back in Singapore. There are no better place to buy Dimarzios. The guitar electronic parts were in bad shape and had to be given a total overhaul. All electronic parts are being changed into Gotoh while Orange drop and treble bleed mod is being added, as per all my other guitars. The guitar later went on being the same way for the next 2 years, without major change or whatsoever.
Recently, there is this seller on Ebay who was clearing his store of all the OEM Jem bodies that he has ever made. One of them is this one featured in the photo. It's made of Alder, Flame Maple and Purple heart. Now, how rare is that? Without second thoughts, I bought it and gave it 4 coats of Tru-Oil finish, bring out the luster of the wood. Unfortunately, the Purple heart, which was purple when it arrived has oxidized and faded to a dark brown shape with a hint of purple. Nonetheless, the body still looks awesome.
The good thing about the OEM Jem body is that it doesn't require me to dowel and redrill the neck. It actually fits like a glove. However, the things that I had to do was to sand down the router marks and fill up the wood chips with the wood dust i acquire from drilling the tremolo claw and stud holes. Especially those caused by routing.
This unique combination of wood gave the guitar a tone that is high on the treble side yet, thanks to the alder wings, it gives off tight and deep lows. This balance out the reflective harshness of the 2 hardwood, maple and purpleheart. Evolutions also sings beautifully with this body as it retains the warmth of the neck and the hotness of the bridge while at the same time being balanced out by the tone wood of the body, making it sound less muffed up compared to basswood.
The neck measures 17mm on the first fret and 19mm on the 12th fret with a flat radius of 430mm and sports a Bulbinga stripe which acts as a separate hardwood to counteracts the neck tension, therefore making it more resistance to neck warping. The thin profile of this guitar coupled with the flat radius of the fretboard makes this guitar a shredder's dream. The action is set to 1mm on the 12 fret giving players the lightest touch possible next to a scalloped neck. Due to the flat radius, players are also able to do high note bending effortlessly without choking the notes halfway.
This guitar got it's name from the purple heart body it sports. "紫心姫(Shishinhime)"means "Purple Heart Princess" in Japanese. As purple heart is a rare timber being used for guitar building, it seem that this would be the only fitting name for the guitar.
Ibanez Custom Jem 570 "紫心姫(Shishinhime)" Specs neck type: 3pc Made in Japan Super Wizard neck with Bulbinga Stipe fingerboard: Rosewood with dot inlay body: Alder, Maple and Purple heart with Hand Rubbed Oil Finish fret: Jumbo frets bridge: Ibanez Original Edge Bridge neck pu: Dimazio Evolution Neck bridge pu: Dimazio Evolution Bridge Neck Specs Scale: 648mm/25.5" a : Width at Nut 43mm b : Width at Last Fret 54mm c: Thickness at 1st 17mm d : Thickness at 12th 19mm Radius: 430mmR |
Monday, 29 August 2011
Dragon Fire!
Yesterday, I received my weapons, forge from old steel, with DRAGONFIRES! Legend has it that these weapons are the only one, capable of slaying the others, that lives beyond the wall.
Actually, they are just Pickups and Tremolos. There are good reviews on the net regarding the Dragonfire screamers and so, i decided to get one and try. Check back later for more news.
On first glance, the tremolo looks like any ordinary tremolo out there. However, it isn't. This is specially produced by Dragonfire to sport a solid steel Tremolo block while the baseplate has the measurements of the Mexican/Asian Strat. This is going into "Malmsteen".
Magnet Change on V1s and V2s
I've gotten a chance to acquire a set of Ibanez V1s and V2s, which I researched online, they supposedly sound decent for stock pickups. Way better than the new Ibanez V7s and V8s. However, after trying them out on one of my guitars, I find them excessively bright and glass like. Not my cup of tea.
Previously, I wrote about how changing the magnets in the pickup can actually change the tone of the pickup. My friend happened to have a set of ESP LH-150 pickups, which are honestly pretty crap stock pick ups. However, the good part about the pickups are, they are fitted with Ceramic magnets. Just exactly what i need. Ibanez V1s and V2s are fitted with Alnico 5s originally.
For the benefit of readers, above is a picture of both a Ceramic and Alnico magnet. The one of the left is an Alnico magnet while the one of the right is a Ceramic Magnet. So after swapping the magnets over, The immediate difference I noticed was the change in the pick up output. The pick up sounds way hotter than before with a boost in mid range, less treble and the pick up loses that top end harshness which I hated originally.
Due to the higher output, the pick up also picks up string attack pretty well. allowing better articulation and string dynamics. The pick up also responds well to cleaning up when rolling down the volume knob. Summary the magnet made the pick up sounded more modern, suited for high gain. Took away the glassy and harshness of which the Alnico 5s provided for the pickups. Guess I will probably be keeping it that way for the time being.
Saturday, 27 August 2011
Ibanez RG520EXQS "青鮫牙(Aosamega)"
"青鮫牙(Aosamega)" started out as a RG570EX neck I purchased from a guy who got it from Tom Lee music Hong Kong. Apparently, Tom Lee was selling Ibanez necks. I had a chance to try out an old RG550 and was deeply addicted to the super thin profile of the original wizard neck. At that time, I just bought Aohimaru "青火丸" and decided to just swap the neck over.
After swapping the neck over for a short while, I decided that I actually like the profile of the Made in Japan Wizard II neck and would prefer to keep the guitar as it is. I proceed in switching Aohimaru "青火丸" back to what it was, reinstalling the original neck.
I began hunting all over Ebay for a MIJ RG body and I happened to chanced upon a silver RG520 Body which was supposedly a RG520QS body, made of mahogany. I haven't own a mahogany bodied guitar up till that point and decided to try it anyway, considering that how rare it is at that time to get a Mahogany bodied RG.
I took a gamble, bought it and sanded it down. True enough, it was really a RG520QS, with that Quilted Salepe Veneer. I was astonished. This body later went on to house Ibanez RG(5)270DX "Frankenstein" . The body and neck has a colour mismatch but all is good for the time being. The guitar was then fitted with Dimarzio Evolutions (Since they are my all time favourite Pick ups). Surprising enough, the Evolution paired up nicely with the Mahogany. The warmth and the Treble of the Mahogany body paired up evenly with the Mid bass overdose of the Evolutions.
Recently, I've been surfing around for another guitar body to match up the color of the neck and eventually found a RG520QS that is in blue. The quilt on this body isn't as nice and more subtle but nonetheless, I wanted to retain the mahogany tone within this guitar. I went ahead and bought the guitar, transferred everything over and hence, "青鮫牙(Aosamega)" was born.
As all the parts used to construct this guitar are made in Japan parts, it is technically a made in Japan Guitar. Japanese craftsmanship is still evident in this guitar, in terms of the wood routed, painted and precision. The neck is actually an Ibanez Super Wizard Neck, the thinnest neck Ibanez has ever made and I would believe the thinnest among all electric guitars.
The neck measures 17mm on the first fret and 19mm on the 12th fret with a flat radius of 430mm. There was once, to my horror, I found lacquering flaking off the neck. I am pretty particular on stuff like that and I decided to just sand off everything, and refinished to my favourite neck finish. Hand rubbed oil finish. The neck has aged to a golden hue thus far but nonetheless, baby butt smooth. My favourite part about the Super Wizards is that it also sports a Bulbinga stripe at the back and not because of cosmetic reason. The Bulbinga stripe acts as a separate hardwood that counteracts the neck tension, therefore making it more resistance to neck warping.
This guitar got it's name "青鮫牙(Aosamega)" from the way it looks. "青鮫牙(Aosamega)" means Blue Shark Fang in Japanese. RG570EX necks are fitted with mirror shark tooth inlays and since the color of the guitar is blue , I decided to just call it Blue Shark Fang. In addition to the Evolutions, the guitar is also equipped with the Orange Drop and Treble Bleed mod.
Ibanez RG520EXQS "青鮫牙(Aosamega)" Specs
neck type: 3pc Made in Japan Super Wizard neck with Bulbinga Stipe
fingerboard: Rosewood with dot inlay
body: Transparent blue Mahogany body with Quilt Salepe Veneer
fret: Jumbo frets
bridge: Ibanez Original Edge Bridge
neck pu: Dimazio Evolution Neck
bridge pu: Dimazio Evolution Bridge
Neck Specs
Scale: 648mm/25.5"
a : Width at Nut 43mm
b : Width at Last Fret 54mm
c: Thickness at 1st 17mm
d : Thickness at 12th 19mm
Radius: 430mmR
Friday, 26 August 2011
Ibanez RG470FM "青火丸(Aohimaru)"
This is the first Made in Japan Ibanez that I have gotten myself in 2007. It is a made in 2003 RG470FM, the only year produced that is equipped with an Edge Pro, and a domestic model at that. I figured that at that point of time, I wanted something better and there happened to be a sale at Swee Lee (A local music store). So I went down and took a look, actually wanting a prestige in mind, but end up picking this up for way less than the price of a prestige.
After picking up this piece, there are a few immediate difference which i noticed compared to the previous RG I have. The neck feels a lot more comfortable and the locking nut, is actually top mounted, instead of the usual back mounting. That actually surprised me a bit as I was expecting a back mounting locking nut. Not that it makes that much of a difference.
The neck really measures 19mm on the first fret and 21mm on the 21st fret with a comfortable radius of 430mm. I am astonished by the precision of a Japanese made guitar at that time which gave me the conclusion that, usually putting branding aside, the more you invest in a guitar, it's actually the workmanship that one is paying extra for. It was first hand witnessing Japanese Craftmanship.
The Guitar spots a Basswood body, which sings out really nice, allowing the pick ups to shine really well. The Edge Pro bridge, which comes only in this particular year of RG470 is really stable and allows a really low profile with nice pulling up action. As per all my guitars, I like my 12th fret action to be set at 1mm, meaning very low action for that fast fretwork.
The best part was, it spots a Flame maple top and in the shade of Transparent blue, my favourite colour to boot (Although now I've leaned towards oiled finishes)! The only thing that I hate about the guitar, is the stock pick ups (Ibanez V7, S1, V8). So I did the usual thing that I do with all my guitars. PICK UP SWAP! I ordered a set of Evolutions from Musician's Friend and got it swapped in. In addition to that, I had Orange Drop and treble bleed mod installed.
Why is this guitar called "青火丸(Aohimaru)" which means the Circle of Blue Fire in Japanese. It's a pretty obvious answer actually, it's blue and it has flame maple top. Circle in this case just means perfection.
Ibanez RG470FM SP "青火丸(Aohimaru)" Specs neck type: 3pc Made in Japan Wizard II neck fingerboard: Rosewood with dot inlay body: Transparent blue Basswood body with Flame Maple Veneer fret: Jumbo frets bridge: Ibanez Edge Pro Bridge neck pu: Dimazio Evolution Neck middle pu: Dimazio Evolution Single bridge pu: Dimazio Evolution Bridge Neck Specs Scale: 648mm/25.5" a : Width at Nut 43mm b : Width at Last Fret 54mm c: Thickness at 1st 19mm d : Thickness at 12th 21mm Radius: 400mmR |
Ibanez RG(5)270DX "Frankenstein"
This isn't actually my first guitar but it's as close as a first can get. I've actually gave my first electric guitar away to my cousin who wanted to pick up the guitar. Well anyway, this is the first decent electric guitar I bought for myself in 2002. For those who hasn't read about my story on how I eventually get to this, you can find the story here.
This Guitar went through a lot in terms of modification and is considered my test bed for future modifications to come. It originally was an Ibanez RG270DX which was made in Korea. I have nothing against guitars that aren't made in Japan or US but this particular piece isn't very well constructed. The locking nut holes are not well drilled and half of it has been drilled off. Nonetheless, I have sentimental values for this guitar as it is the first guitar I ever bought with my own salary.
The guitar started out with only pick up swap of Dimarzio Evolution, neck and bridge and FS-1 installed as it's main modification. For the longest time it was my main guitar. I was once paranoid about rusting parts and I had the stupidest idea of putting dehumidifier together with the guitar in the bag. The dehumidifier burst off and the contents leaked out without my knowledge. Just after months of returning from the World of Warcraft, I open up the bag, to my horror, most of the parts are rusted. I decided to give it an over haul and this was the second time I modified the guitar again. The whole guitar is being refitted with superior hardware, Gotoh locking nut, Gotoh Floyd Rose licensed tremolo vibrato bridge and Gotoh tuning machine heads.
So, there was once where I managed to try one of those old RG550, where the neck is super thin (17mm first fret and 19mm 12th fret). I decided that I wanted to sand mine down to achieve the same thickness. I bought a pair of vernier calipers and measured the neck. To my horror, the neck measured 20mm on the first fret and 22mm on the 12th fret. It's totally different from what a wizard neck should be (19mm on the first fret and 21mm on the 12th fret). So I proceed and sand down the neck. It took me about 3 hours with a palm sander, to sand the neck down to wizard II thickness. But I was happy with that for a while and kept it that way. I refinished the neck with hand rubbed oil finish.
After that, I read from project guitar forum on how to do a material finish such as the Jem 77FP. Once again, my the DIY bug in got the better of me and this guitar came out as the first choice for an experiment. It was a fun DIY but none the less a lot of hardwork.
After building and assembling a few Ibanez I accumulated an extra Made in Japan (MIJ) Mahogany body and decided to transfer the neck over to the body instead. The new body, a RG520QS body which I sanded down and refinished with Tung Oil. Once again feeling that the neck was still too thick for my liking, I proceed in sanding it down to the thickness of prestige wizard (18mm first fret and 19mm 12th fret). It has a slight different feel compared to a prestige neck though. As I didn't scalped the shape of the neck, the sides are still beefy while the back is flat. To my surprise, the neck is actually quite comfortable. Due to the 400mm radius actually allows comfortable chording while the flat back allows the thumb to grip comfortably and usually keeping the thumb in an upright position. Thanks to the new thickness, it also allows easy scale running without the hindering of baseball bat kind of necks. Due to it's combination of a Korean neck and Made in Japan body, I named it the Frankenstein. The guitar went through a couple of pickup changes. At one point of time, this guitar is fitted with Dragonfire Screamer pickups. I wanted to find out cheaper alternatives and since these screamers are made by Artec, I was more than willing to give it a try. The sound is pretty decent for a pickup about a quarter of a Dimarzio or Seymour Duncan. The main problem with it is, I find the pickup too bassy for my liking. I wanted something with less bass but more mid bass.
The next pair of cheaper but good pickups I've tried are Entwistle Dark Stars. These pickups are special in the way that they are designed around Neodymium magnets instead of the conventional alnico or Ceramic magnets. These pickups are high output and are hot. Soundwise, these pickups are really decent for it's price. Entwistle Dark Star shall stay in this guitar.
Ibanez RG(5)270DX "Frankenstein" Specs
neck type: 3pc Made in Korea Wizard II with Prestige thickness neck
fingerboard: Rosewood with sharktooth inlay
body: Oiled Mahogany body with Quilted Salepe Veneer
fret: Jumbo frets
bridge: Gotoh Licensed Floyd Rose Bridge
neck pu: Entwistle Dark Star neck
bridge pu: Entwistle Dark Star bridge
Neck Specs
Scale: 648mm/25.5"
a : Width at Nut 43mm
b : Width at Last Fret 54mm
c: Thickness at 1st 18mm
d : Thickness at 12th 20mm
Radius: 400mmR
Entwistle Darkstar Neck Neo Classical Test by Adrian Goh
Dragonfire neo classical test by Adrian Goh
This Guitar went through a lot in terms of modification and is considered my test bed for future modifications to come. It originally was an Ibanez RG270DX which was made in Korea. I have nothing against guitars that aren't made in Japan or US but this particular piece isn't very well constructed. The locking nut holes are not well drilled and half of it has been drilled off. Nonetheless, I have sentimental values for this guitar as it is the first guitar I ever bought with my own salary.
The guitar started out with only pick up swap of Dimarzio Evolution, neck and bridge and FS-1 installed as it's main modification. For the longest time it was my main guitar. I was once paranoid about rusting parts and I had the stupidest idea of putting dehumidifier together with the guitar in the bag. The dehumidifier burst off and the contents leaked out without my knowledge. Just after months of returning from the World of Warcraft, I open up the bag, to my horror, most of the parts are rusted. I decided to give it an over haul and this was the second time I modified the guitar again. The whole guitar is being refitted with superior hardware, Gotoh locking nut, Gotoh Floyd Rose licensed tremolo vibrato bridge and Gotoh tuning machine heads.
So, there was once where I managed to try one of those old RG550, where the neck is super thin (17mm first fret and 19mm 12th fret). I decided that I wanted to sand mine down to achieve the same thickness. I bought a pair of vernier calipers and measured the neck. To my horror, the neck measured 20mm on the first fret and 22mm on the 12th fret. It's totally different from what a wizard neck should be (19mm on the first fret and 21mm on the 12th fret). So I proceed and sand down the neck. It took me about 3 hours with a palm sander, to sand the neck down to wizard II thickness. But I was happy with that for a while and kept it that way. I refinished the neck with hand rubbed oil finish.
After that, I read from project guitar forum on how to do a material finish such as the Jem 77FP. Once again, my the DIY bug in got the better of me and this guitar came out as the first choice for an experiment. It was a fun DIY but none the less a lot of hardwork.
After building and assembling a few Ibanez I accumulated an extra Made in Japan (MIJ) Mahogany body and decided to transfer the neck over to the body instead. The new body, a RG520QS body which I sanded down and refinished with Tung Oil. Once again feeling that the neck was still too thick for my liking, I proceed in sanding it down to the thickness of prestige wizard (18mm first fret and 19mm 12th fret). It has a slight different feel compared to a prestige neck though. As I didn't scalped the shape of the neck, the sides are still beefy while the back is flat. To my surprise, the neck is actually quite comfortable. Due to the 400mm radius actually allows comfortable chording while the flat back allows the thumb to grip comfortably and usually keeping the thumb in an upright position. Thanks to the new thickness, it also allows easy scale running without the hindering of baseball bat kind of necks. Due to it's combination of a Korean neck and Made in Japan body, I named it the Frankenstein. The guitar went through a couple of pickup changes. At one point of time, this guitar is fitted with Dragonfire Screamer pickups. I wanted to find out cheaper alternatives and since these screamers are made by Artec, I was more than willing to give it a try. The sound is pretty decent for a pickup about a quarter of a Dimarzio or Seymour Duncan. The main problem with it is, I find the pickup too bassy for my liking. I wanted something with less bass but more mid bass.
The next pair of cheaper but good pickups I've tried are Entwistle Dark Stars. These pickups are special in the way that they are designed around Neodymium magnets instead of the conventional alnico or Ceramic magnets. These pickups are high output and are hot. Soundwise, these pickups are really decent for it's price. Entwistle Dark Star shall stay in this guitar.
Ibanez RG(5)270DX "Frankenstein" Specs
neck type: 3pc Made in Korea Wizard II with Prestige thickness neck
fingerboard: Rosewood with sharktooth inlay
body: Oiled Mahogany body with Quilted Salepe Veneer
fret: Jumbo frets
bridge: Gotoh Licensed Floyd Rose Bridge
neck pu: Entwistle Dark Star neck
bridge pu: Entwistle Dark Star bridge
Neck Specs
Scale: 648mm/25.5"
a : Width at Nut 43mm
b : Width at Last Fret 54mm
c: Thickness at 1st 18mm
d : Thickness at 12th 20mm
Radius: 400mmR
Entwistle Darkstar Neck Neo Classical Test by Adrian Goh
Dragonfire neo classical test by Adrian Goh
Thursday, 25 August 2011
Refinishing your guitar neck with sealing oil
Guitar necks are a major part of the feel of a guitar. The neck is the first part of the guitar that is a direct contact to our fretting hand and it can immediately make us hate or like the guitar. It is by far one of the most important parts of the guitar that allow us to bond with the guitar. The back finishing of the guitar neck plays an important role of that feel too. Some of us like the feel of sticky lacquer while some of us like satin finish.
Sometimes, after playing for a long time, we find that our beloved guitar necks has stripped lacquer or worst, dings. Some of us like it, some of us don't. What if, you belong to the ones who don't, such as I?
There is a kind of finish that I will like to share with all my readers out there. It's known as Hand Rubbed Oil finish. Not only is this finish really easy to do, it also leaves the neck baby butt smooth. Sound too good to be true? Check this out.
First 2 above has been refinished with Hand rubbed Tru-Oil while the third picture has been finished with Hand rubbed Tung Oil. Tru-oil leaves the neck with a slight sheen while tung oil tends to have a satin surface. Both of them feel somewhat the same but Tung oil tends to turn to a golden hue over time.
Items you will need:
1. 300 grit, 600 grit, 1000 grit, 1500 grit sand paper.
2. Cloth (Preferably from old T-shirts)
3. Surgery gloves (You can actually do without these, just that you will have a hell of a time washing your hands later)
4. Time
Instructions:
1. Start off with sanding away the lacquer of the neck with 300 grit sand paper. Make sure you do not over sand at this point and change the shape of the neck.
2. After that is done, pour a healthy amount of the sealing oil (Tung or Tru) on the cloth.
3. Rub the oil into the wood by doing an up and down motion with your hand. Rub it until the wood feels dry.
4. Repeat step 2 and 3 a couple of times. (I usually do this 3 times)
5. Leave it to dry for at least 6 hours. (Depending on the kind of oil you use. leave it a day just to be safe)
6. Pour some oil on 300 grit sand paper and sand the oil on the back of the neck. This removes raised grains while at the same time drives more oil into the pores of the wood. Sand till the neck feels dry.
7. Repeat Step 3 to 5 again.
8. Pour some oil on 600 grit sand paper and sand the oil on the back of the neck. This is to smooth-en out the texture of the wood. Again, sand till the neck feels dry.
9. Repeat Step 3 to 5 again.
10. Pour some oil on 1000 grit sand paper and sand the oil on the back of the neck. Again, sand till the neck feels dry.
11. Repeat Step 3 to 5 again.
12. Pour some oil on 1500 grit sand paper and sand the oil on the back of the neck. This should be the final polishing of the neck. The neck should give u a glossy sheen by the time you are done with this step. Again, sand till the neck feels dry.
13. Repeat Step 3 to 5 again.
14. Lasty, repeat Step 3 to 4.
15. This time, leave it to dry for 2 days.
16. Buff it with buffing compound and finish it with Lemon pledge. That will leave the neck Baby butt smooth.
There, that ain't that hard is it? Do take some time to take a look at the video posted below. It shows you how to achieve a professional looking hand rubbed oil finish. Even if it's done on the table, the same principles can be applied on the neck. Lastly, enjoy that professional looking baby butt smooth neck and rock on!
Sometimes, after playing for a long time, we find that our beloved guitar necks has stripped lacquer or worst, dings. Some of us like it, some of us don't. What if, you belong to the ones who don't, such as I?
There is a kind of finish that I will like to share with all my readers out there. It's known as Hand Rubbed Oil finish. Not only is this finish really easy to do, it also leaves the neck baby butt smooth. Sound too good to be true? Check this out.
First 2 above has been refinished with Hand rubbed Tru-Oil while the third picture has been finished with Hand rubbed Tung Oil. Tru-oil leaves the neck with a slight sheen while tung oil tends to have a satin surface. Both of them feel somewhat the same but Tung oil tends to turn to a golden hue over time.
Items you will need:
1. 300 grit, 600 grit, 1000 grit, 1500 grit sand paper.
2. Cloth (Preferably from old T-shirts)
3. Surgery gloves (You can actually do without these, just that you will have a hell of a time washing your hands later)
4. Time
Instructions:
1. Start off with sanding away the lacquer of the neck with 300 grit sand paper. Make sure you do not over sand at this point and change the shape of the neck.
2. After that is done, pour a healthy amount of the sealing oil (Tung or Tru) on the cloth.
3. Rub the oil into the wood by doing an up and down motion with your hand. Rub it until the wood feels dry.
4. Repeat step 2 and 3 a couple of times. (I usually do this 3 times)
5. Leave it to dry for at least 6 hours. (Depending on the kind of oil you use. leave it a day just to be safe)
6. Pour some oil on 300 grit sand paper and sand the oil on the back of the neck. This removes raised grains while at the same time drives more oil into the pores of the wood. Sand till the neck feels dry.
7. Repeat Step 3 to 5 again.
8. Pour some oil on 600 grit sand paper and sand the oil on the back of the neck. This is to smooth-en out the texture of the wood. Again, sand till the neck feels dry.
9. Repeat Step 3 to 5 again.
10. Pour some oil on 1000 grit sand paper and sand the oil on the back of the neck. Again, sand till the neck feels dry.
11. Repeat Step 3 to 5 again.
12. Pour some oil on 1500 grit sand paper and sand the oil on the back of the neck. This should be the final polishing of the neck. The neck should give u a glossy sheen by the time you are done with this step. Again, sand till the neck feels dry.
13. Repeat Step 3 to 5 again.
14. Lasty, repeat Step 3 to 4.
15. This time, leave it to dry for 2 days.
16. Buff it with buffing compound and finish it with Lemon pledge. That will leave the neck Baby butt smooth.
There, that ain't that hard is it? Do take some time to take a look at the video posted below. It shows you how to achieve a professional looking hand rubbed oil finish. Even if it's done on the table, the same principles can be applied on the neck. Lastly, enjoy that professional looking baby butt smooth neck and rock on!
Wednesday, 24 August 2011
Ishibashi Sale starting tomorrow!
Once again, there sill be a sale for the used items in Ishibashi starting tomorrow!The sale will last for a week until 31/08/11. If there is a guitar that you have always be aiming for, this is it!
P.S. I am not affiliated with Ishibashi in anyway and I do not get any commission for posting this.
Guitar Fretboard Maintenence
There are times, more often than not we find grime stuck around the sides of the frets of the fretboard after playing for a long time, or the wood of the fretboard dried up in to a lighter shade. Commonly, 3 types of wood are being used as fretboard. Rosewood (Sonokeling), Maple or Ebony. 1 out of the 2 has a different way to maintain the fretboard. I shall discuss about maintaining your fretboard, making sure that your fretboard remains healthy for maximum performance and comfort.
Lets start by taking a look at the 3 difference kinds of fretboard.
Rosewood
Ebony
Maple
Rosewood and Ebony are both wood with open pores. Both are considered hardwood and oily to a certain extend. Ebony has a denser grain compared to Rosewood. Both of them fades to a lighter shade (amidst that Ebony is actually dyed black) of it's color and will eventually crack once lack of it's natural oil due to exposure to the environment. Especially for those living in a dry environment.
What i like to do is to replenish it's natural oils by cleaning it with Mineral oil, at the same time wiping away the grimes that have build up over countless months of playing. There are a few kinds of oil that i will use and have tried before. I shall explain them in more detail.
Ikea Skydd mineral oil
This can be bought fairly cheap from Ikea and is in my opinion one of the best oils to use for the fingerboard. It is thick and odorless, non toxic (For my readers out there with young ones in the house) and is particularly good at penetrating deep into the wood, keeping our precious fingerboard nourished. At the same time, excess is easily wiped away leaving only a thin film of oil to protect the wood from invading moisture.
Old English Lemon Oil
This can be found in more DIY stores and is also fairly cheap for a big bottle that will last you a life time. It is slightly thinner than Ikea Skydd mineral oil and comes lemon scented. For those who prefer leaving their precious instrument looking good and smelling good, I highly recommend this. The good thing about lemon oil is, not only does it acts as a moisturizer for the fingerboard, it also acts as an excellent cleaner. I remember that there was this once, after scalloping the fingerboard of one of my guitars, I left the maple fretboard bare without any lacquer and dirt stains was all over maple. So what I did was to pour in some lemon oil and rubbed out the stains. That actually work incredible. There were also myths of lemon oil containing lemon juice which makes it of high acidity level compared to other kinds of nourishing oil. There were worries that would eventually eat away the wood but from my experience, that has never happened. Chances are, the wood either gets a ding from our nails or cracked from dryness rather then being eaten away by Lemon Oil.
Johnson Baby Oil
You are reading that right. Johnson Baby oil. From my understanding, this is actually the same stuff as Ikea Skydd Oil with the fragrance. I've tried this on my fingerboard and it works just as well as Ikea Skydd oil. Only difference is, my guitar smelled like a baby for a while. But hey, our guitars are our baby, isn't that right? Now, why would I post this here if it works the same way as Ikea Skydd oil? I understand that my readers might be from a part of the world which Ikea hasn't invade into their country. However, I am pretty sure P&G has already invade every country out there that sells guitars. You can find these in supermarkets easily. The bad news is, it costs way more than Ikea Skydd Oil.
The next question is, how often do we actually oil our fingerboards? By right, we should only oil it when the finger board when it is dry, but the general rule of the thumb is, oil it whenever you change your strings. That's the best time clean your fretboard, ain't it? Generally, a well nourished fingerboard can last about a year without the need to oil it additionally.
Maple fingerboard however, have a different treatment. Most maple finger board comes pre-lacquered. Maple is a close grain wood without visible pores. Maple being a light colored wood, has a problem of getting stained easily, and really hard to remove the stains. To counter this problem, most guitar makers just seal it with lacquer or sealing oil. For maple I recommend my readers to use Lemon Pledge.
Lemon Pledge
This can be easily bought from supermarkets and is fairly cheap. It is also a well known furniture cleaner. Since Maple Fretboards are already finished with lacquer, using the oils that I mentioned above doesn't really work, since the pores of the wood has already been sealed by a waterproof finish. The plus point of this is, since no moisture or liquid can seep into the wood, neither can it get out right? The good news is, sealed maple wood doesn't crack from becoming too dry. Occasionally, just clean the fretboard with lemon pledge and it will leave the fretboard smooth and sparkling clean.
Sealing oil
I have read before in forums where people ask if it is ok for them to use sealing oil, such as Teak, Tung or Boiled Linseed Oil to replenish and condition their open pore wood fretboard. The answer is NO! There is a reason that those are called sealing oil and unless you like your fretboard feeling like an open grained lacquered fretboard, by all means, go ahead. Sealing oil works like lacquering but in thin films and usually done by hand rubbing. It is true that it permanently leaves the wood a darker shade of brown and even brings out the grain of the wood, however it is highly not advisable to seal your open pore woods. Below are a few examples of sealing oils.
Danish Oil (Tung Oil)
Teak Oil
Tru-Oil (Boiled Linseed Oil)
Lastly, if you are looking for quick access in buying the oils I mentioned above, you can order them from Amazon. They ship it worldwide I believe.
Lets start by taking a look at the 3 difference kinds of fretboard.
Rosewood
Ebony
Maple
Rosewood and Ebony are both wood with open pores. Both are considered hardwood and oily to a certain extend. Ebony has a denser grain compared to Rosewood. Both of them fades to a lighter shade (amidst that Ebony is actually dyed black) of it's color and will eventually crack once lack of it's natural oil due to exposure to the environment. Especially for those living in a dry environment.
What i like to do is to replenish it's natural oils by cleaning it with Mineral oil, at the same time wiping away the grimes that have build up over countless months of playing. There are a few kinds of oil that i will use and have tried before. I shall explain them in more detail.
Ikea Skydd mineral oil
This can be bought fairly cheap from Ikea and is in my opinion one of the best oils to use for the fingerboard. It is thick and odorless, non toxic (For my readers out there with young ones in the house) and is particularly good at penetrating deep into the wood, keeping our precious fingerboard nourished. At the same time, excess is easily wiped away leaving only a thin film of oil to protect the wood from invading moisture.
Old English Lemon Oil
This can be found in more DIY stores and is also fairly cheap for a big bottle that will last you a life time. It is slightly thinner than Ikea Skydd mineral oil and comes lemon scented. For those who prefer leaving their precious instrument looking good and smelling good, I highly recommend this. The good thing about lemon oil is, not only does it acts as a moisturizer for the fingerboard, it also acts as an excellent cleaner. I remember that there was this once, after scalloping the fingerboard of one of my guitars, I left the maple fretboard bare without any lacquer and dirt stains was all over maple. So what I did was to pour in some lemon oil and rubbed out the stains. That actually work incredible. There were also myths of lemon oil containing lemon juice which makes it of high acidity level compared to other kinds of nourishing oil. There were worries that would eventually eat away the wood but from my experience, that has never happened. Chances are, the wood either gets a ding from our nails or cracked from dryness rather then being eaten away by Lemon Oil.
Johnson Baby Oil
You are reading that right. Johnson Baby oil. From my understanding, this is actually the same stuff as Ikea Skydd Oil with the fragrance. I've tried this on my fingerboard and it works just as well as Ikea Skydd oil. Only difference is, my guitar smelled like a baby for a while. But hey, our guitars are our baby, isn't that right? Now, why would I post this here if it works the same way as Ikea Skydd oil? I understand that my readers might be from a part of the world which Ikea hasn't invade into their country. However, I am pretty sure P&G has already invade every country out there that sells guitars. You can find these in supermarkets easily. The bad news is, it costs way more than Ikea Skydd Oil.
The next question is, how often do we actually oil our fingerboards? By right, we should only oil it when the finger board when it is dry, but the general rule of the thumb is, oil it whenever you change your strings. That's the best time clean your fretboard, ain't it? Generally, a well nourished fingerboard can last about a year without the need to oil it additionally.
Maple fingerboard however, have a different treatment. Most maple finger board comes pre-lacquered. Maple is a close grain wood without visible pores. Maple being a light colored wood, has a problem of getting stained easily, and really hard to remove the stains. To counter this problem, most guitar makers just seal it with lacquer or sealing oil. For maple I recommend my readers to use Lemon Pledge.
Lemon Pledge
This can be easily bought from supermarkets and is fairly cheap. It is also a well known furniture cleaner. Since Maple Fretboards are already finished with lacquer, using the oils that I mentioned above doesn't really work, since the pores of the wood has already been sealed by a waterproof finish. The plus point of this is, since no moisture or liquid can seep into the wood, neither can it get out right? The good news is, sealed maple wood doesn't crack from becoming too dry. Occasionally, just clean the fretboard with lemon pledge and it will leave the fretboard smooth and sparkling clean.
Sealing oil
I have read before in forums where people ask if it is ok for them to use sealing oil, such as Teak, Tung or Boiled Linseed Oil to replenish and condition their open pore wood fretboard. The answer is NO! There is a reason that those are called sealing oil and unless you like your fretboard feeling like an open grained lacquered fretboard, by all means, go ahead. Sealing oil works like lacquering but in thin films and usually done by hand rubbing. It is true that it permanently leaves the wood a darker shade of brown and even brings out the grain of the wood, however it is highly not advisable to seal your open pore woods. Below are a few examples of sealing oils.
Danish Oil (Tung Oil)
Teak Oil
Tru-Oil (Boiled Linseed Oil)
Lastly, if you are looking for quick access in buying the oils I mentioned above, you can order them from Amazon. They ship it worldwide I believe.
Old English Lemon Oil | Johnson Baby Oil |
Tuesday, 23 August 2011
Changing Pick Up Magnets
Previously, I wrote a short article on how changing Pick up Magnets can actually change the sound of your pick up. After further investigation, I read from Jemsite that swapping the magnet for the Ibanez V7 and V8 actually improves the sound drastically. As V7 carries a Ceramic Magnet while the V8 carries the Alnico V magnet, swapping them actually changes the way the magnetic field is being projected out that picks up (That's why it's called a pick up?) the steel string vibrations of the electric guitar.
In this post, I shall attempt to show my readers out there on how exactly to change pick up magnets. The magnet measures 2.50'' long x 0.50'' wide x 0.125'' thick by the way. First things first, what you need is a cross head screw driver, and a flat head screw driver. I must warn all my readers out there, please be very careful when you attempt to remove the pick up magnets just in case you damage any of the coils, which will then be really trouble some to repair.
Now, remove the back plate cover of the pick up by first unscrewing the 4 screws located behind the pick up. Once you have done that, pry open the back plate cover with the flat head screw driver. As mention, please take great care in this process, you really don't want to break any coils.
And this is how it looks like inside.
After prying it open, you will see this very obvious stick of magnet in the middle of the pick up. Pry it out again with a flat head screw driver, and make sure you remember the position of it. I marked it with a marker, just in case I forget. The reason being is that the magnet are placed in a way aligned with the north and south pole in which since i don't own one of those meter to tell which pole it is, I have to use this primitive method to remember it. Before replacing the magnet, make sure to try putting it on top of the existing one. If it sticks, it's the correct direction and if it doesn't it's wrong.
And this is how it looks like after the magnet is taken out. Note that I written BT on the magnet. That means Bridge Top. So go ahead and replace the magnet by putting the new magnet on the middle of the pick up, cover it up with the back plate and screw back the 4 screws which you have taken out earlier.
I haven't gotten the chance to test the pick ups but I shall leave that for another day. Thanks to LonePhantom from Jemsite on providing the information on the magnet swaps and of course the sound samples at your end. You rock bro!
In this post, I shall attempt to show my readers out there on how exactly to change pick up magnets. The magnet measures 2.50'' long x 0.50'' wide x 0.125'' thick by the way. First things first, what you need is a cross head screw driver, and a flat head screw driver. I must warn all my readers out there, please be very careful when you attempt to remove the pick up magnets just in case you damage any of the coils, which will then be really trouble some to repair.
Now, remove the back plate cover of the pick up by first unscrewing the 4 screws located behind the pick up. Once you have done that, pry open the back plate cover with the flat head screw driver. As mention, please take great care in this process, you really don't want to break any coils.
And this is how it looks like inside.
After prying it open, you will see this very obvious stick of magnet in the middle of the pick up. Pry it out again with a flat head screw driver, and make sure you remember the position of it. I marked it with a marker, just in case I forget. The reason being is that the magnet are placed in a way aligned with the north and south pole in which since i don't own one of those meter to tell which pole it is, I have to use this primitive method to remember it. Before replacing the magnet, make sure to try putting it on top of the existing one. If it sticks, it's the correct direction and if it doesn't it's wrong.
And this is how it looks like after the magnet is taken out. Note that I written BT on the magnet. That means Bridge Top. So go ahead and replace the magnet by putting the new magnet on the middle of the pick up, cover it up with the back plate and screw back the 4 screws which you have taken out earlier.
I haven't gotten the chance to test the pick ups but I shall leave that for another day. Thanks to LonePhantom from Jemsite on providing the information on the magnet swaps and of course the sound samples at your end. You rock bro!
Subscribe to:
Posts (Atom)