Dragonfire Vintage Tremolo for MIC or MIM Strats

So, about a week ago, I wrote about my Dragonfire parts and if you still remember, there is a bridge with a solid steel block, custom made to fit Asian or Mexican Strat.

So I've finally gotten around in installing the bridge, setting up the intonation and action. First thing first, in terms of fitting, this thing fits like a glove. It is a direct drop into your Squiers, Fender Japan and Mexican made Strats. For DIY enthusiasts such as I am, you can fit these into your SX, Artisian, Smash, Timbre and etc Strat copies.

Full size solid Steel Block	Thin Mystery Pot Metal Block

Now if you will take sometime to examine the 2 types of block above, you can tell just by visual alone the big difference between both blocks. The Dragonfire one (The one on the left) features a thick solid steel block while the usual stock one features a Thin Mystery Pot Metal Block. One might argue that a bigger block means heavier weight on the guitar however we also know that the Tremolo Block of the guitar does contribute to the tone significantly. Especially on a Vintage Tremolo type where the string are being string through from the block.

How does this change the sound quality? Well, after changing the blocks, the immediate difference that I can pick up is that the tone is fuller compared to that Mystery Pot Metal Block. There is also an apparent increase in sustain while notes are more apparent in responses.

Let's take a look at the back cavity of my "Malmsteen". This is how it looks like after installation. We can tell from the picture that the Block sits in nicely giving enough space for a whammy down with no fear of the block hitting the cavity.

The only bad point I can think about this Tremolo is that for the first time when I screwed in the Tremolo arm and did a whammy down, to my horror, the Tremolo arm bent slightly at the base near the screw area. So I guess they didn't QC on the arm too well. My consolation is that my friend passed me another one of his extra made in China Tremolo arms and it fitted nicely into the Tremolo block. No bending after a whammy down. Phew!

This is a great upgrade for those who are looking in upgrading their Mexican, Asian Strats or Strat copy. For just 32.95 USD excluding shipping, you can get a great tonal upgrade to your beloved Strat. Say no to Mystery Pot Metal Blocks today!

Ibanez RG470FM "青火丸(Aohimaru)"

This is the first Made in Japan Ibanez that I have gotten myself in 2007. It is a made in 2003 RG470FM, the only year produced that is equipped with an Edge Pro, and a domestic model at that. I figured that at that point of time, I wanted something better and there happened to be a sale at Swee Lee (A local music store). So I went down and took a look, actually wanting a prestige in mind, but end up picking this up for way less than the price of a prestige.

After picking up this piece, there are a few immediate difference which i noticed compared to the previous RG I have. The neck feels a lot more comfortable and the locking nut, is actually top mounted, instead of the usual back mounting. That actually surprised me a bit as I was expecting a back mounting locking nut. Not that it makes that much of a difference.

The neck really measures 19mm on the first fret and 21mm on the 21st fret with a comfortable radius of 430mm. I am astonished by the precision of a Japanese made guitar at that time which gave me the conclusion that, usually putting branding aside, the more you invest in a guitar, it's actually the workmanship that one is paying extra for. It was first hand witnessing Japanese Craftmanship.

The Guitar spots a Basswood body, which sings out really nice, allowing the pick ups to shine really well. The Edge Pro bridge, which comes only in this particular year of RG470 is really stable and allows a really low profile with nice pulling up action. As per all my guitars, I like my 12th fret action to be set at 1mm, meaning very low action for that fast fretwork.

The best part was, it spots a Flame maple top and in the shade of Transparent blue, my favourite colour to boot (Although now I've leaned towards oiled finishes)! The only thing that I hate about the guitar, is the stock pick ups (Ibanez V7, S1, V8). So I did the usual thing that I do with all my guitars. PICK UP SWAP! I ordered a set of Evolutions from Musician's Friend and got it swapped in. In addition to that, I had Orange Drop and treble bleed mod installed.

Why is this guitar called "青火丸(Aohimaru)" which means the Circle of Blue Fire in Japanese. It's a pretty obvious answer actually, it's blue and it has flame maple top. Circle in this case just means perfection.

Ibanez RG470FM SP "青火丸(Aohimaru)" Specs neck type: 3pc Made in Japan Wizard II neck fingerboard: Rosewood with dot inlay body: Transparent blue Basswood body with Flame Maple Veneer fret: Jumbo frets bridge: Ibanez Edge Pro Bridge neck pu: Dimazio Evolution Neck middle pu: Dimazio Evolution Single bridge pu: Dimazio Evolution Bridge Neck Specs Scale: 648mm/25.5" a : Width at Nut 43mm b : Width at Last Fret 54mm c: Thickness at 1st 19mm d : Thickness at 12th 21mm Radius: 400mmR

Ibanez RG(5)270DX "Frankenstein"

This isn't actually my first guitar but it's as close as a first can get. I've actually gave my first electric guitar away to my cousin who wanted to pick up the guitar. Well anyway, this is the first decent electric guitar I bought for myself in 2002. For those who hasn't read about my story on how I eventually get to this, you can find the story here.

This Guitar went through a lot in terms of modification and is considered my test bed for future modifications to come. It originally was an Ibanez RG270DX which was made in Korea. I have nothing against guitars that aren't made in Japan or US but this particular piece isn't very well constructed. The locking nut holes are not well drilled and half of it has been drilled off. Nonetheless, I have sentimental values for this guitar as it is the first guitar I ever bought with my own salary.

The guitar started out with only pick up swap of Dimarzio Evolution, neck and bridge and FS-1 installed as it's main modification. For the longest time it was my main guitar. I was once paranoid about rusting parts and I had the stupidest idea of putting dehumidifier together with the guitar in the bag. The dehumidifier burst off and the contents leaked out without my knowledge. Just after months of returning from the World of Warcraft, I open up the bag, to my horror, most of the parts are rusted. I decided to give it an over haul and this was the second time I modified the guitar again. The whole guitar is being refitted with superior hardware, Gotoh locking nut, Gotoh Floyd Rose licensed tremolo vibrato bridge and Gotoh tuning machine heads.

So, there was once where I managed to try one of those old RG550, where the neck is super thin (17mm first fret and 19mm 12th fret). I decided that I wanted to sand mine down to achieve the same thickness. I bought a pair of vernier calipers and measured the neck. To my horror, the neck measured 20mm on the first fret and 22mm on the 12th fret. It's totally different from what a wizard neck should be (19mm on the first fret and 21mm on the 12th fret). So I proceed and sand down the neck. It took me about 3 hours with a palm sander, to sand the neck down to wizard II thickness. But I was happy with that for a while and kept it that way. I refinished the neck with hand rubbed oil finish.

After that, I read from project guitar forum on how to do a material finish such as the Jem 77FP. Once again, my the DIY bug in got the better of me and this guitar came out as the first choice for an experiment. It was a fun DIY but none the less a lot of hardwork.

After building and assembling a few Ibanez I accumulated an extra Made in Japan (MIJ) Mahogany body and decided to transfer the neck over to the body instead. The new body, a RG520QS body which I sanded down and refinished with Tung Oil. Once again feeling that the neck was still too thick for my liking, I proceed in sanding it down to the thickness of prestige wizard (18mm first fret and 19mm 12th fret). It has a slight different feel compared to a prestige neck though. As I didn't scalped the shape of the neck, the sides are still beefy while the back is flat. To my surprise, the neck is actually quite comfortable. Due to the 400mm radius actually allows comfortable chording while the flat back allows the thumb to grip comfortably and usually keeping the thumb in an upright position. Thanks to the new thickness, it also allows easy scale running without the hindering of baseball bat kind of necks. Due to it's combination of a Korean neck and Made in Japan body, I named it the Frankenstein. The guitar went through a couple of pickup changes. At one point of time, this guitar is fitted with Dragonfire Screamer pickups. I wanted to find out cheaper alternatives and since these screamers are made by Artec, I was more than willing to give it a try. The sound is pretty decent for a pickup about a quarter of a Dimarzio or Seymour Duncan. The main problem with it is, I find the pickup too bassy for my liking. I wanted something with less bass but more mid bass.

The next pair of cheaper but good pickups I've tried are Entwistle Dark Stars. These pickups are special in the way that they are designed around Neodymium magnets instead of the conventional alnico or Ceramic magnets. These pickups are high output and are hot. Soundwise, these pickups are really decent for it's price. Entwistle Dark Star shall stay in this guitar.




Ibanez RG(5)270DX "Frankenstein" Specs
neck type: 3pc Made in Korea Wizard II with Prestige thickness neck
fingerboard: Rosewood with sharktooth inlay
body: Oiled Mahogany body with Quilted Salepe Veneer
fret: Jumbo frets
bridge: Gotoh Licensed Floyd Rose Bridge
neck pu: Entwistle Dark Star neck
bridge pu: Entwistle Dark Star bridge

Neck Specs
Scale: 648mm/25.5"
a : Width at Nut 43mm
b : Width at Last Fret 54mm
c: Thickness at 1st 18mm
d : Thickness at 12th 20mm
Radius: 400mmR

Entwistle Darkstar Neck Neo Classical Test by Adrian Goh

Dragonfire neo classical test by Adrian Goh